you, Ivy,â Elsie said, keeping her voice gentle.
âDonât taste bad. Tastes like salt.â The girl had a direct quality that was unsettling.
âWell, itâs really not something you want to eat. It has artificial colors. Chemicals.â With an involuntary gesture, Elsie reached out and pushed Ivyâs cat-Âframed eyeglasses onto her head, adjusting them so they sat straight under her brow.
Lodging the lump of dough in her cheek, Ivy hung her head and toyed with the blue snake. âI donât eat it all the way. I just like how it tastes.â
âWould you please spit it out? Pretty please?â
Ivy complied. She rose from the step and spit the blue lump into the spiky bushes that lined the front of the house.
Returning to the front step, Ivy coiled the snake in a circle on the concrete. Turning her back to Elsie, Ivy switched her attention to a battered cigar box that held broken crayons. She lifted the box from its position on the concrete step and held it in her lap. Ivy fished through the box, picking up and discarding the colored stubs.
âWhereâd you get your color box?â Elsie asked.
âTheyâre mine. From my old house.â In a defensive voice, Ivy repeated, âTheyâre mine.â
âWhat are your crayons doing out here? Are you going to make a picture?â
âI brung them,â Ivy said, pulling out a brown crayon from the box. With care, she peeled the paper away and set the bare crayon on the step, under the bright afternoon sun. Propping her chin on her hand, Ivy sat, watching it.
Elsie was hesitant to broach the topic of Ivyâs mother again. She decided to cover other important territory. Reaching into Ivyâs cigar box, Elsie picked up a red crayon.
âI bet you know your colors, donât you, Ivy?â
Ivy nodded, glancing at the crayon Elsie held.
âDo you know this one?â
âRed.â
âThatâs right! Itâs red.â
âWe learned colors in kindergarten.â
âThatâs why youâre so smart. Youâve been to school.â Elsie rolled the crayon between her finger and thumb, keeping it before Ivyâs face. âHey, Ivy. What if I said, âThis crayon is green.â â
âItâs not,â Ivy said, a look of disapproval crossing her face.
âYouâre right. So if I said it was greenâÂwhen we know itâs really redâÂwould that be telling the truth?â
Ivy shook her head.
âOr would it be telling a lie?â
Ivy nodded. âLying.â
âRight! Thatâs right! It would be lying.â Elsie dropped the crayon back into the box. âIvy,â she said in a conversational tone, âis it wrong to tell a lie?â
Ivy didnât answer for a long moment. She picked up a twig and used it to poke the naked brown crayon sheâd set on the step. With the twig, she rolled the crayon, turning it over on the concrete.
The silence made Elsie nervous. She would need to demonstrate to the court that the girl understood the meaning of the oath to tell the truth. Ivy would have to articulate to the judgeâs satisfaction that she knew the difference between the truth and a lie.
She tried again. Gently nudging Ivyâs leg with her knee Elsie asked again. âIs it wrong to tell a lie? Ivy?â
Ivy nodded, poking the naked brown crayon with the stick.
Elsie let out a breath. âThatâs right.â Though she was hesitant to push her luck, Elsie followed up. âWhy is it wrong to tell a lie?â
âJesus says.â
Elsie blinked. Though she had not formed a precise expectation as to the childâs response to her question, the reference to Jesus took her by surprise. Apparently Ivyâs deceased mother had attended to the childâs religious education.
âHowâd you know that?â
âChurch.â With a jab, Ivy poked at the crayon. âLook,â
Ruth Wind
Randall Lane
Hector C. Bywater
Phyllis Bentley
Jules Michelet
Robert Young Pelton
Brian Freemantle
Benjamin Lorr
Jiffy Kate
Erin Cawood