to show him, she'd said. And all were the quirky abstracts that several knowledgeable people besides Louise praised as showing genuine talent. It had been Louise's lofty assessment, in fact, that had led Katy to trade full-time high-school counseling for part-time teaching so she could devote more hours to her painting. He'd been supportive. Would have been even without Louise and the showing at Louise's Bright Winds Gallery last December and the three paintings she'd sold for Katy at $350 each. The drop in household income hadn't been a problem, not with a moderate mortgage and few other debts. He'd been proud of her, and willing to do anything within reason to make her happy. Anything within reason to shore up the unstable foundation of their marriage.
In one corner was her desk, with its littered surfaces and bulging drawers. He started to it first, changed his mind, and went to the closet instead. It wasn't the storage boxes or the painting supplies or the old ledgers that drew him; it was her treasure box. That had been her name for it, the hammered copper box where she kept all the little mementoes that she'd accumulated over the years. She had shown it to him once, a long time ago, but she hadn't let him look inside. He had never tried to look on his own. He'd respected her privacy, just as she had respected his.
He opened the treasure box first. Photographs, dozens of them: Katy when she was a toddler, a little girl in her father's arms, a teenager in her prom dress, a student at Balboa State, the two of them at a community dance, on Tom Birnam's sailboat in San Francisco Bay, in atrocious Heckel and Jeckel costumes at a Halloween party, in other places and in the company of other friends and relatives. The joke engagement ring he'd presented to her—a pot-metal thing bought at Woolworth's—when she'd accepted his proposal, in lieu of the diamond to come. A sappy and mildly obscene Valentine's Day card he'd given her so many years ago he'd totally forgotten it. A tiny gold nugget she'd found on a pack-trip in the Sierras. A McGovern for President button. The plastic penis, Eileen Harrell's birthday gift one year, that hopped around like a toad when you wound it up and that had sent Katy into hysterics the first time she tried it. Other things, some he recognized and some he didn't, that had been significant to her but that meant little or nothing to him.
The desk next. Drawers, cubbyholes, accordion files; canceled checks, paid bills—by mutual consent she had done most of the bill-paying—and correspondence. Then the boxes in the closet: old tax records, old Christmas and holiday cards, and little else. He even poked through the cartons of paint supplies and the two sketchpads, one filled, one partially filled, of her charcoal drawings of places, objects, people.
Memories, little surprises and curiosities—nothing else.
Nothing incriminating.
Well, what the hell had he expected to find? A diary full of steamy references to a lover? A packet of compromising letters? Nude photos, for Christ's sake?
He felt relieved, yet vaguely disappointed and angry at himself for being disappointed. Not finding proof of infidelity should have helped put the doubts to rest, but it hadn't; they still lingered, like splinters under the surface of his mind. Maybe at some level he wanted to believe Katy was guilty, that her death had been a kind of divine punishment; at least that would give it some meaning, some justification however frail and hateful. Down deep he was angry at her, too. For dying, for leaving him alone.
His head ached. And he still felt foggy—fuzzy-skulled, Katy had termed it—from the Nembutal he'd taken the previous night. He always had that next-day reaction to sleeping pills, but it was either take one or spend the whole night lying awake, thinking too much. Maybe a swim would help clear his head. He hadn't done his fifty morning laps yet.
Outside, on the terrace, he could hear church bells in the
James Rollins
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