the Great American Novel, and to become a responsible father before Hannah discovered that I was not oneâprecise amounts were unavailable. Clear instructions were unimaginable. Completion, in the two or three hours before Liz freaked out with hunger and rage and poured herself a fucking bowl of cereal right in front of my face, was utterly impossible. But right up to the very last of the pasta and salad recipes in
Vegetables
, all of the above satisfactions were palpably available, and precisely because, in deciding that my own palate was stupid, Iâd cleared out other considerations like, say, whether or not Liz even felt like eating Pasta with Zucchini, Walnuts, and Pesto on a given night. Sheâd consistently said she didnât care, during those vulnerable first months with a baby. By the time she did begin to care again, around months four and five, it was too late. Iâd already developed a fierce emotional attachment to menu control, narrowing my job down to recipe completion and nothing moreâas if I were building model airplanes that happened to be edible. Iâd come to love that I could stop thinking and follow Aliceâs orders, none of which included cleaning as I cooked. Trim and julienne a little âzucchini or other summer squashes,â boil noodles,
kablam
: checkmark next to the recipeâs title, in the bookâs table of contents. Ditto with the next main-course category I tackled: pizza, even when I got flour allover my clothes and the countertops, and even when the crust came out soggy, puffy, and bready. Yeast in warm water, add flour, let rise, knead again. Then: âPreheat the oven to 375. Dice the onion and toss in a small ovenproof sauté pan with a pinch of salt and enough olive oil to coat lightly,â until, two and a half hours after Iâd started, the kitchen ransacked and burned food be damned, I would absolutely have achieved something a reasonable person might describe as Pizza with Broccoli Raab, Roasted Onion, and Olives.
I found yet another stripe of anti-recipe prejudice, which I will call the Lamentation of the Disappointed Cookbook Lover: âLike sex education and nuclear physics they are founded on an illusion,â writes Anthony Lane, the
New Yorker
âs movie critic, of his own love for cookbooks. âThey bespeak order, but they end in tears.â Similar sentiment from Adam Gopnik, in the same magazine: âThe anticlimax of the actual, the perpetual disappointment of the thing achieved⦠. You start with a feeling of greed, find a list of rules, assemble a bunch of ingredients, and then you have something to be greedy about. In cooking you begin with the ache and end with the object, where in most of the life of the appetitesâcourtship, marriageâyou start with the object and end with the ache.â (Gopnik skipped adolescenceâthereâs no other way to explain a manâs thinking that eros begins with a specific object of desire, and not with an aimless ache.)
Ruth Reichl leads the most visible counterattack against the Disappointed Cookbook Lovers, dismissing their pursuit of perfection and claiming to love, instead, the way no dish ever turns out the same twice, guaranteeing that Reichlâs cooking will always be an adventure. âI cook for other people, and to me, cooking is an act of giving,â Reichl continues. âWhen I leaf through cookbooks or magazines I am imagining all the people who willbe sitting around my table, and I am looking for food that will make them happy.â I liked the sound of this, back then; and I know that I wanted the emotional extra credit owed to anybody cooking in this spirit; but even I knew that I was cooking almost entirely for myself, hunting perfection in precisely Gopnikâs spirit, horrified by the idea of culinary adventures and of dishes turning out differently, night after night. So I knew what Lane and Gopnik were talking about: recipes
Jay Allan Storey
Mary Calmes
Elizabeth Cohen
Humberto Fontova
Jan Scarbrough
A New Order of Things
Lord of Wicked Intentions
Stacey Ballis
Marilu Mann
Daniel Schulman